I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
Ever since reading this book, I *can’t* think of the original version of the Iliad without referencing his haunting retelling from Patroclus’ perspective. Miller did such an incredible job putting me in the story and making the characters so real that I actively missed them when I put the book down.
It doesn’t hurt that it has some of the most beautiful poetic language I’ve encountered in story form. Helen is more of a background character playing her classic role, but I was still fascinated because Miller plays on the demigod aspect of both Helen and Achilles in a way that makes them steal any scene they’re in. There’s a quiet power to them that transcends the page.
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Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms…
Another perspective of the Trojan War from a minor player’s perspective, Daughter of Yesterday, is the first mythology retelling I read as a child, and it still holds up. A series of unfortunate events puts the protagonist in Helen of Troy’s household as a companion for her young daughter.
I’d never read a version of the myth that views Helen as a mother, an often-forgotten fact in retellings. Myths are so often taught in isolation that this was the first time I realized these mythological characters like Helen and Cassandra knew each other.
The fact that the main character is a completely powerless child trying her best to survive the chaos around her ramps up the tension and highlights the tragedy of the war.
Anaxandra is taken from her birth island at age 6 by King Nicander to be a companion to his crippled daughter, Princess Callisto. Six years later, her new island is sacked by pirates and she is the sole survivor. Alone with only her Medusa figurine, she reinvents herself as Princess Callisto when Menelaus, great king of Sparta, lands with his men. He takes her back to Sparta with him where Helen, his beautiful wife, does not believe that the red-headed child is Princess Callisto. Although fearful of the half-mortal, half-goddess Helen, Anaxandra is able to stay out of harm’s way—until…
This book features a young Helen of Sparta’s adventures with her siblings, who are notable figures of their own in myths and legends. I’m a sucker for those mythological connections I first discovered in Goddess of Yesterday, and this is also very similar to it in that it might be marketed as a children’s book. Still, the themes and events are intense, and they hold up amazingly.
I love this version of Helen. She’s adventurous, smart, and stubborn. Helen is so often portrayed as a vain villain or an unwitting scapegoat, so it’s really refreshing to read something that acknowledges that she was more than just a pretty face. She was the princess of Sparta. She was raised to be tough, tactical, and warlike.
Helen of Sparta wants to be more than a princess and a pretty face—she wants to be a hero.
The traditions of ancient Sparta would have Helen know her place: a beautiful princess, a loyal daughter, a perfect bride. But Helen wants adventure, and she's not looking back. Not one to count on the gods to take care of her, she sets out to see the world and seek her own fate with steely determination. Her rebellious will makes Helen dangerous enemies—such as the self-proclaimed "son of Zeus" Theseus—but it also gains her true friends, from the famed huntress Atalanta…
I was so excited when this book hit the shelves because the back cover copy read like it would be an adult version of Nobody’s Princess. They are very different books, but this one had the magic of interconnecting myths I craved.
Clytemnestra is featured as a dual protagonist, which was a bonus because I have never seen books that strongly feature Helen’s sister. It delves into the sisters' childhood and follows them through their adulthood into the Trojan War.
I loved how the book morphed from an almost fairy tale feel to a tragedy that perfectly captured the sense of frustration, helplessness, and devastation of the women embroiled in the Trojan War.
Two sisters parted. Two women blamed. Two stories reclaimed.
'Required reading for fans of Circe . . . a remarkable, thrilling debut' - Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
'Fluent and persuasive. I admire the ambition with which Heywood tackles the subject, to which she brings freshness and verve. I enjoyed it very much' - Elizabeth Buchan, bestselling author of The Museum of Broken Promises
For millennia, two women have been blamed for the fall of a mighty civilisation - but now it's time to hear their side of the story . .…
I can’t write a list of Helen of Troy's many faces without including the most famous source material. Though it’s marketed for children, it’s one of the most faithful and accessible adaptations of the Iliad that I’ve ever read.
I loved the illustrations and how the scenes stayed faithful to those written many centuries ago while still packing an emotional punch to a modern-day reader. The ancient classics that spread orally are all translated retellings, so while there’s definitely value in reading the more academic versions, those aren’t any more or less valid than an accessible text with modern language that pulls you into the story.
I highly recommend it to anyone who wants to know the ins and outs of the original to better appreciate retellings.
Frances Lincoln is proud to reintroduce the Greenaway award-winning Black Ships Before Troy.
Here is Homer's epic poem The Iliad, brought to life by Rosemary Sutcliff with all the skill of a master storyteller. Alan Lee's dramatic cover image hauntingly recreates the age of heroes in this introduction to the Greek classics--a book that should become part of every childhood.
This is the first book in a series of modern-day Greek mythology retellings. After sixteen years of thinking that gods are creatures of myth, Persephone is shocked to discover she’s a goddess and that she’s being stalked by the god of winter. She’s forced to take shelter in the Underworld and gets to know a lot of notable residents there, like Cassandra, Helen of Troy, and of course Hades.
The most fascinating aspect of Greek mythology is that the gods are flawed. Mythological Persephone lacked that depth. She’s a symbol rather than the main character of her own myth. I knew my version would feature a flawed heroine who uses her time in the Underworld to decide her future and who she spends it with.
Lena thinks she knows her future: in her small village, nothing much has changed for two hundred years. Women farm and fish, plant and harvest: a cooperative, productive, peaceful life. Until the day a soldier rides in, to ask the unthinkable of the women: learn to fight. Invasion is imminent, and the men alone cannot defeat them.
Maya, Lena’s partner, refuses. Going against the collective decision of the village means banishment. Will Lena decide to defend her home, or go with her love?
Journey with Lena as she makes this terrible choice, setting her feet on a path towards a…
"Fans of Guy Gavriel Kay will love Thorpe's work." Anya Pavelle
A B.R.A.G. Medallion Honoree; Eric Hoffer Finalist, 2021; BBNYA 2021 Semi-Finalist
An Emperor's request. A lover's refusal. And a young woman who must choose between them.
Many generations past, the great empire from the east left Lena's country to its own defences. Now invasion threatens...and to save their land, women must learn the skills of war. But in a world reminiscent of Britain after the fall of Rome, only men fight; women farm and fish. Lena's choice to answer her leader's call to arms separates her from her lover…